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Macroprosopus, Reflections and the Isisian Codes

“As above, so below.”

The symbol of Macroprosopus provides us with an intuitive guide to how what is above is also like below. It can also be used as an intuitive guide in the creation of the Garden of Eden, the hidden matrix which is guarded by the flaming sword and the cherub, or the rabbinical “tree of life”. Ultimately, reflections, or mirrors, are at the very heart of the Illuminatus system.

This article will provide some thoughts on the “reflections” and mirrors used by the Illuminatus and in the Isisian Codes.

Mirrors and Reflections

We have already discussed the nature of IXXI, or “9-11”, and how it is used as the base code for what is considered “The Garden of Eden”. 9-11, or IXXI, provides us with the training model, but provides little archetypal encoding of the various cipher wheels (sephira) and relevant paths. In the diagram of Macroprosopus, for example, we can see that the IXXI is encoded in the image, and that there is a division of the letters running along the central horizontal and thus making a “mirror” or ” thinking” conceptual.

Also, what floats in the sky, such as half of the Star of David and the full Tau or the letter T, is reflected in the water.

This “mirror”, or element of reflection, is necessary if we are to resolve the archetypal foundation of the philosopher’s stone, or, more precisely, the “Garden of Eden”. IXXI allows us to form only the appropriate geometric matrix. However, it is not enough to simply secure the actual geometric matrix; rather, since the geometric matrix serves as the road map of the human psyche in classical Jungian thought, it becomes critical and necessary to correctly place all symbols in the various cipher wheels (sephira), as well as to correctly number the channels between the different cipher wheels or sephira.

Even after all of this is done, it is necessary to go back to work and do all the “math” double checking, so to speak. My original die for the Garden of Eden, for example, had an error that went unresolved for almost 2 years. Thus, resolving the archetypal or occult framework requires a lot of work and double checking before publication to ensure that the intuitive answers are indeed accurate and correct.

All of this is precisely due to the inherent nature of construction and the way in which immersion in construction creates conditions in which it is easy to be tricked.

Mirrors, or reflections, play an essential role in the formation of reality. For example, when we look at the Moon, which is a symbol of Occultism, it is stronger than the Sun because its light can still shine during the day when even the Sun reigns supreme. This implies that the Moon is able to reflect sunlight and shine even when the Sun is shining as well as when the Sun is not. Conceptually, the Moon, as a symbol of the Occult, has a stronger light than the Sun because the Occult uses the Sun and the reflection of the Sun equally. It does not use one exclusively over the other, but uses direct sunlight, but more importantly reflected sunlight.

For the dark side of the Occult (the left path), their reflection is that of the CLOUD. Within the word CLOUD is the annagrammic play of the word OCULT. Since T=D, we simply encrypt CLOUT and CLOUD and OCULT (occult). In this way, the Occult acts as a covering or seal that blocks the Sun and Moon, or can pass smoothly and not affect the light of the Sun or Moon at all, or can partially obscure the Sun and Moon. Moon. . Even stronger is the anagrammic play of the word OCCULT to form the word CLOUD. The word CLOUD shows a reflection of STRONG, and yet the clouds are silent, and so we are reminded that the force of the “cloud”, or the Occult, is even stronger because it can mask the light of the Sun at its highest point. .

Conceptually, we simply recognize that our existence here on Earth is subject to many occluding influences and forces, the “clouds” of which act as either a beneficial or a detrimental force depending on the strength and duration of the influence. Clouds, or “the occult”, can change the colors of light reflected from the Moon as it reflects light from the Sun, while the Moon changes phase and reflects ever-increasing or decreasing shades of light.

It is only the left path that seeks to obscure entirely, even as we recognize that all things are obscured in one way or another.

If we imply that being loud is as “overwhelming” as what others can hear, then we have a reflection of the power of the Occult in this world and therefore we should consider the force and learn from its reflections. , because ultimately it is only the reflections that we can see, not the actual workings when the words and works were put together.

Mirrors as an occult staple

The image of “Macroprosopus” is designed to allude to the use of reflections and mirrors as part of the primary conceptual basis and that these reflections and their uses must be fully understood if you are to gain an apperception of the conceptual.

All the “gods” partake of the essence of Osiris, and Osiris, as Letter A, manifests himself as himself in a “material form” close to the mythology of Christianity. Osiris as Letter A provides us with the conceptual tools to begin to un-story the making of “reality”, occult or otherwise. Pi is “the Verb”. This means that there is division and separation in that the 1s are male and the 0s are female, each has its own unique and separate existence, but the 1 and the 0 are not mutually exclusive l each other, in that the 0, female, is created by the 1 of the male. This is the basic “ratio”, or “sexual union”, or “the Letter X”.

X’s = SEX, but the X is the reflection of the female on the male. This reflection provides the intuitive insight to understand the nature of Geb and Nut of the Egyptians. Geb and Nut are just an artistic representation of the letter X, of the sun rising in the belly of the Earth or the sky.

Yet all of this is “technically” or “fundamentally” tied to Pi.

If you consider the design, and in this we imply the design of the human body, as it too is designed around the idea of ​​Pi, or the “Word”, the visual shape of the vagina shows a correlational “1” when ” closed “, while the shape of the male phallus shows a correlational “0” when viewed from “the tip”. It is through the cardinal conceptual turn of two-dimensional design that we are able to arrive at three-dimensional reality in proper perspective in which, in this case, the “1s” as men appear correctly in mind. as “males” and the “0s” conceptually come to mind as being correctly conceived as “females”.

This way we can begin the process of conceptualizing the inherent design and begin to understand what is “true” and what is “false”, what is the “mirror” and what is the “real”.

Another way to look at this is to use occult reference material, which today is unnecessarily and intentionally confusing and “mystical”. For example, the Sepher Yetzirah, or “Book of Formation”, states the following:

“These twenty-two letters, which are the foundation of all things, He has arranged as on a sphere with two hundred and thirty-one gates, and the sphere can be turned forward or backward, whether for good or for evil; from good comes true pleasure, from evil nothing but torment.” – In this example, the sphere can be rotated in one direction or the other.

Imagine it as a ball resting on the ground. I write the number 6, then I turn the ball 180 degrees. You see my 6 as a 9. I then write a number 9 on the ball and turn it 180 degrees again. Now you have two 6s or two 9s, depending on how you see them AND assuming you knew how to see numbers “this way or that”. If I say the number is a 6, and I write the number as a “6”, AND you tell me the number is a “6”, and therefore we both agree that the number is a 6, then what is being discussed is “true”, and therefore “good”.

However, if I write the number 6, and you tell me that the number is a “6”, and yet I deliberately mislead and say that the number is a 9, then I have reversed the number and therefore “evil”, or a “lie”, continues. Since there are no additional context points for you to see reality as it exists at the time, you have no way of really knowing if the number is a 6 or if it is. it’s a 9.

Now extend this concept to multiples of glyphs (letters, etc.) and spin the multiples of glyphs like on a sphere while sitting in the center of the sphere while immersed in a total vacuum! That’s how complex and convoluted it all can get.

The Universe is incredibly complex in its simplicity.

Context as a critical element

Therefore, “context” is essential to understanding the accuracy of what is seen in relation to a Letter and in particular to knowing how one sees and de-stories occult insignia and mythologies. For example, in the above view of Macroprosopus as shown above, there is a reflected “T” in the water, and yet there is an upside-down “T” floating in the air, and therefore reflecting in the water is the letter T derived from the inverted T in the air.

This view is “true” in an Occult sense, but why? Therefore, the principle of “know thyself” means that certain truths should be focused on and verified for yourselves, even if guidance is provided along the way.

In other words, it is not enough to understand that what is “above” is “as below”: it is essential that a person understands how to invert the image from above and analyze it as if it was reversed or upside down. Ideas and images should therefore be rotated “this way” and “that”, i.e. rotated 180 degrees or flipped 180 degrees, shifted 45 degrees and flipped 180 degrees, read front, but interpreted upside down, centered or in various combinations from above

How “God” manifests cannot be so easily controlled by simplistic formulations, nor can arriving at voluntary and intentional codes be assumed to be a simple and straightforward process. Ultimately, we are limited to the tools available to us through the restrictions of design (hardware existence), and so a wide range of tools using a wide range of interconnections is quite necessary to perform an understanding of all.

When Plutarch says that Typhon tears the sacred writings and scatters them to the winds, it is a very ample and precise representation, and we must therefore consider the Construction as a giant puzzle, which, like Humpty Dumpty, we are trying to piece together. together again so that we can cast aside ignorance and illusion and create for ourselves a world and a society where our spiritual foundation is rooted in a form of reason impervious to ignorance.

The main point to remember is that the Illuminatus use and use a huge range of reflections and mirrors in their system, and so if you want to penetrate their philosophical system (a system that belongs to all of us) it is essential that the idea mirrors and reflections be understood completely.

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